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Added on the 22/09/2020 14:00:00 - Copyright : EFE Inglés
Paris (France), Sep 28 (EFE) .- (Camera: Mario García Sánchez) Monks, samurai and giants enter the Quai Branly Jacques Chirac Museum in Paris this Tuesday through an exhibition that explores the mythology and practice of the Asian martial arts from classical times to pop culture.FOOTAGE FROM THE 'LAST COMBAT' EXHIBITION, AT THE QUAI BRANLY JACQUES CHIRAC MUSEUM, PARIS.SOUNDBITES FROM EXHIBITION CURATOR JULIEN ROUSSEAU AND ASIAN FILM SPECIALIST STÉPHANE DU MESNILDOT.Translations:Rousseau: "It is an exhibition that deals with the subject of martial arts, a very popular subject. Asian martial arts are now well known and are very globalized, and they go back to fiction, to the cinema of course, through figures such as Bruce Lee".Du Mesnildot: "Bruce Lee is obviously the mythical figure of martial arts. He was the one who popularized the term kung-fu. I don't think there is an actor who has had such a rich iconography as him. We can go to India, Africa, Russia Or anywhere in the world with a Bruce Lee photo and people will recognize him. So at that level I think he's comparable to Charlie Chaplin."
Paris, Mar 11 (EFE).-(Camera: Martí Rodríguez) Although it is likely that they would never met in person, Picasso and Rodin agreed on their genius and their experimental way of understanding art, a revolutionary vision that Paris now recovers in a double exhibition that extols the links between artists. FOOTAGE OF THE EXHIBITION AND SOUNDBITES BY CURATOR Virginie PerdrissotTRANSLATION"Picasso and Rodin were two artists for whom renewal was something very constant. They were both in perpetual renewal. Their art never had a stage that could be classified in a predefined category. That is why the exhibition insists a lot on that idea of movement and we wanted to show the multidisciplinary character of his work and all the themes of his creation. And we did not limit ourselves to showing a Picasso painter on one side and a sculptor Rodin on the other, but rather show that both renewed their work with graphic arts, drawings, ceramics or photography ... "
Paris, Jul 21 (EFE).-(Camera: María Valderrama) British art critic Paul Gravett once said that Pablo Picasso spent his latter years regretting never having turned his hand to comics given that caricatures and satirical vignettes had provided a huge inspiration in his youth. The Picasso-Paris Museum is exploring how the art form, which he devoured as a consumer, crept into his own creations in a new exhibition, Picasso and the Comic Strip, which opened Tuesday.FOOTAGE OF THE EXHIBITION PICASSO AND THE COMICS.SOUNDBITES OF JOHAN POPELARD, CURATOR OF THE EXHIBITION.Translation:- "It is the first exhibition on the matter. We knew from a considerable amount of testimonies that Picasso was interested in comics and it is the first time that we delve into their relationship. They are contemporary, modern comics were born at the same time as Picasso and throughout the 20th century they meet again at various times and the two of them cross paths. In a newspaper, there is a record of that phrase in which Picasso would have said that his only regret was not having made comics. We wanted to go beyond that proclamation and show that although he had never published comics there was some appropriation of the comic codes found in his work. "
Lille (France), Oct 13 (EFE) .- (Camera: Luis Miguel Pascual) He never set foot in the industrious city of northern France, but Goya's influence reached Lille almost half a century after his death, when the Museum of Fine Arts of that city acquired two works by the Spanish artist.FOOTAGE OF THE EXHIBITION ON GOYA THAT IS EXHIBITED IN LILLESOUNDBITES FROM THE EXHIBITION CURATOR, REGIS COTENTIN- "A sensitive experience in which we give all the keys to interpretation and reading clues to Goya's life and work, condensed into two paintings, the young and the old, which belong to the Museum of Fine Arts in Lille, which close The exhibition". - "It is a gesture of generosity with the public, so that they can make their own interpretation of the paintings. Once they discover them, it is they who will decide if they are the masterpieces that we consider. We constextualize Goya's work in a moment in which Spanish art, in particular that of Goya, was little or not represented in France. It was not liked, it was considered that Goya painted too fast and that he did not deal with the right subjects "
London, Oct 11 (EFE/EPA).- The Thaddaeus Ropac gallery in Mayfair, London presents the exhibition 'Ron Mueck: 25 Years of Sculpture, 1996-2021'. The exhibition dedicated to Australian artist Ron Mueck will open to the public from Oct 12 to Nov 13 ahead of Frieze Week. (Camera: FACUNDO ARRIZABALAGA) SHOT LIST: B-ROLL OF THE EXHIBITION IN THE THADDAEUS ROPAC GALLERY IN MAYFAIR IN LONDON, UK.
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