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Added on the 16/05/2018 09:03:03 - Copyright : AFP EN
Mexico City, Jul 6 (EFE).- A floor of white sand, walls that blend together, textured curtains, projections, and the words of artist Frida Kahlo in writing and in audio make up an immersive digital experience that opened Tuesday in the Mexican capital."I believe that the value of a piece of art takes on another meaning and another dimension when you know where it comes from," Kahlo's great-grandniece, Frida Hentschel, told EFE. (Camera: AMERICA NERI).SHOT LIST: THE IMMERSIVE EXHIBITION 'FRIDA', AT THE FRONTÓN MÉXICO IN MEXICO CITY, MEXICO. SOUND BITES: MARA ROMEO KAHLO, FRIDA KAHLO'S GREAT NIECE; FRIDA HENTSCHEL, KAHLO'S GREAT GRANDNIECE; MARA DE ANDA, KAHLO'S GREAT-GRANDNIECE; AND LAURA, SPETATOR (IN SPANISH).TRANSLATION: 1. MARA ROMEO KAHLO: It is a different way of seeing art, of feeling it. You can capture many details, small details that perhaps in a work as such can go unnoticed. It incorporates her music and you become aware of all the feelings involved. I think it is important because it really is a set of feelings. This is modern technology, and she, who was so avant-garde, I believe that the two things combine very well.2. FRIDA HENTSCHEL: She was always a woman well ahead of her time for this feminist movement that has been going on since then, and is now gaining much more strength. I think that Frida is a symbol that fought against the standards that existed at that time for women. 2.1 I believe that the value of a piece of art takes on another meaning and another dimension when you know where it comes from. So of course, we know these obstacles that Frida has survived and that part of her history that is very famous, but there is a familiar part that we know, that not everyone knows and that gives another dimension to all her work, to all her history.3. MARA DE ANDA: What we want is … to make known, not the Frida who suffered, but the one we know and the one we love.4. LAURA: It (the exhibition) is very good because there are many young people who do not know her work and it is an interesting way to make her known.
Paris, Jan 8 (EFE) .- (Camera: Josep Puig López) Several museums in France are looking for a way to continue showing their collections, despite not being able to receive public due to the restrictions derived from the coronavirus pandemic, and options lead to collaborations and broadcasts on the internet.FOOTAGE OF THE EXHIBITION GIACOMETTI EXHIBITION IN THE PARIS MUSEUM.SOUNDBITES OF HUGO DANIEL, CURATOR."The relationship between Samuel Beckett and Alberto Giacometti was not well documented although its echoes and the deep affinity between their works are very important, the two artists knew each other for a very long period of time, from the 1930s until the death of Giacometti in 60."
Bordeaux (France), Jun 10 (EFE / EPA) .- (Camera: Caroline Blumberg) The multimedia art exhibition 'Gustav Klimt, Gold and Colors' by Italian artists Gianfranco Iannuzzi, Renato Gatto and Massimiliano Siccardi was presented on Wednesday on the ceilings and walls of the Bassins de Lumieres digital art centre located in a former submarine base in Bordeaux.FOOTAGE OF THE EXHIBITION.
A never-before-seen journey through the works of Anselm Kiefer opens in Paris. Angela Moore reports.
London, Oct 11 (EFE).- The Silent Fall multi-sensory mirrored installation by artistic duo A.A. Murakami, which combines music and aromas, will open to the public on Tuesday, inaugurating the Superblue center at London’s Royal Academy of Arts. (Camera: CLAUDIA SACREST)SHOT LIST: THE MULTISENSORY INSTALATION BY ARTISTIC DUO AA MURAKAMI.SOUND BITES: ARTISTS AA MURAKAMI (Azusa Murakami and Alexander Groves) (IN ENGLISH)
Madrid, Oct 4 (EFE) .- (Camera: Leo Redondo) "Bringing the Spanish public an unknown story about Ibero-American art." The exhibition “Tornaviaje. Ibero-American Art in Spain ”, which arrives at the Prado Museum to present the links and exchanges of artistic works between Spain and Latin America after the conquest of the new continent through more than a hundred works.FOOTAGE OF THE EXHIBITION.
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