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Added on the 20/02/2019 18:35:00 - Copyright : AFP EN
New York, Jun 7 (EFE) .- (Camera: EFE) The fever that has been unleashed by Vincent Van Gogh's immersive exhibitions, in which his popular paintings, projected on huge walls, come to life, has reached New York City, where two different companies will fight this summer to attract the wave of tourists that are expected to return to the Big Apple.FOOTAGE OF THE EXHIBITIONS IN NEW YORK
London, Oct 11 (EFE).- The Silent Fall multi-sensory mirrored installation by artistic duo A.A. Murakami, which combines music and aromas, will open to the public on Tuesday, inaugurating the Superblue center at London’s Royal Academy of Arts. (Camera: CLAUDIA SACREST)SHOT LIST: THE MULTISENSORY INSTALATION BY ARTISTIC DUO AA MURAKAMI.SOUND BITES: ARTISTS AA MURAKAMI (Azusa Murakami and Alexander Groves) (IN ENGLISH)
París (Francia), 8 oct (EFE).- (Imagen: Antonio Torres) Un artista francés consagrado, Maurice Renoma, y otro cubano exiliado en España que pasó inadvertido durante años, Jorge Carracedo. Las sinuosas formas y el hormigón del arquitecto Óscar Niemeyer de telón de fondo. Así es "Cosmogonie", la ecléctica y angustiante exposición que se inaugura hoy en París.FOOTAGE OF THE EXHIBITION AT THE HEADQUARTERS OF THE FRENCH COMMUNIST PARTY IN PLAZA COLONEL FABIEN IN PARIS SOUNDBITES FROM CURATOR ROSMY PORTER AND FROM EXILED CUBAN ARTIST JORGE CARRACEDOTRANSLATIONPorter: This 1,200 square meter space is unique in Paris. It represents the fusion of an old city like Paris with this work that is a jewel of modern architectureWe present their meeting through 24 pieces (photos of Renoma intervened by Carracedo), but we also add original works by both so that those who visit the space better understand how the merger was reachedCarracedo: From the beginning I saw the potential, it was very subjective but I saw it, I wanted to see what it felt when I started working and it flowed, the first pieces of Renoma's work were exhibited in Cuba,
Amsterdam, Oct 7 (EFE) .- (Camera: Imane Rachidi) For Vincent van Gogh, "The Potato Eaters" (1885) was his masterpiece with a realistic message, and he prepared it with dedication, but his brother Theo believed that it was full of mistakes and no one would take it seriously in the Paris art market, so he let it dust on his mantelpiece.FOOTAGE FROM THE EXHIBITION PRESENTED AT THE VAN GOGH MUSEUM IN AMSTERDAM. IT INCLUDES STATEMENTS TO EFE DE BREGJE GERRITSE, CURATOR OF THE EXHIBITION.1. He was not looking for technical perfection with his painting, but the message he wanted to convey about peasant life, about the crude honesty of hard life in the countryside. For him, the painting was a success, and although he did not use the term ‘masterpiece’, he considered it similar to the Sunflowers, his Room or La Berceuse.2. His brother Theo was not very impressed, and received harsh criticism from his friend and painter Anthon van Rappard. But Van Gogh continued to believe in his work, for him the message transmitted was more important than the mistakes he had made in painting.3. In 1887, he wrote to his sister Guillermina: "This is my best work." That is very interesting because by then he had already gone to Paris, he had changed his working methods and his style, using more bright colors, but he still had the dark painting of Nuenen in mind.4. If even your best friend and painter Van Rappard was very enthusiastic about the work, no one would have been in Paris. It was just a very dark image, a very difficult subject, it was not a very attractive painting, especially because of all the modern art developments that were happening in Paris that he was still unaware of at the time.
Madrid, Sep 29 (EFE). (Camera: Manuel Única) .- The immersive exhibition "Meet Vicent van Gogh" lands in the capital this Thursday, September 30, at the Ibercaja Delicias Space to bring the painter closer through panels that can be touched and recreate atmospheres in three dimensions, as well as streets and scenes that were part of his life.FOOTAGE FROM THE IMMERSIVE EXHIBITION "MEET VINCENT VAN GOGH" IN MADRID, SPAIN
Paris (France), Sep 28 (EFE) .- (Camera: Mario García Sánchez) Monks, samurai and giants enter the Quai Branly Jacques Chirac Museum in Paris this Tuesday through an exhibition that explores the mythology and practice of the Asian martial arts from classical times to pop culture.FOOTAGE FROM THE 'LAST COMBAT' EXHIBITION, AT THE QUAI BRANLY JACQUES CHIRAC MUSEUM, PARIS.SOUNDBITES FROM EXHIBITION CURATOR JULIEN ROUSSEAU AND ASIAN FILM SPECIALIST STÉPHANE DU MESNILDOT.Translations:Rousseau: "It is an exhibition that deals with the subject of martial arts, a very popular subject. Asian martial arts are now well known and are very globalized, and they go back to fiction, to the cinema of course, through figures such as Bruce Lee".Du Mesnildot: "Bruce Lee is obviously the mythical figure of martial arts. He was the one who popularized the term kung-fu. I don't think there is an actor who has had such a rich iconography as him. We can go to India, Africa, Russia Or anywhere in the world with a Bruce Lee photo and people will recognize him. So at that level I think he's comparable to Charlie Chaplin."
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