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Added on the 20/06/2021 14:00:00 - Copyright : EFE Inglés
Brussels, Sep 18 (EFE) .- (Camera: Leo Rodríguez) Confusion, shame, strangeness and, sometimes, even fear is what brings together the more than 40 works in the exhibition "Ceci n'est pas un corps "('This is not a body'), which brings together the great masters of hyperrealist culture in one of the capitals of surrealism, Brussels.FOOTAGE OF THE EXHIBITION.SOUNDBITES OF EMILIE DEROM, COMMUNICATION DIRECTOR OF THE EXHIBITION.Translation:"Hyper-realistic artists turn their backs on abstraction. They try to get a very detailed representation of nature and, therefore, of the human body.As you can see behind me, some sculptures give the feeling that they are real people. The visitor is very confused. Am I dealing with a real body or a fake body? All the details are there. The contours, the textures, the hair and the nails, it is very disturbing." "Hyper-realistic artists still want to convey a message. So all these sculptures carry a certain message." "In 2008 he found himself in a difficult situation, which is why he finally represents the loss of control he had over his own body. Situations without perspectives and that is the interesting thing about hyperrealist artists, there is a message behind it."
Brussels (Belgium), Sep 5 (EFE).- (Camera: Leopoldo Rodríguez) Has Brussels left its mark on contemporary fashion? It is the thesis that develops an exhibition that has just opened its doors in the Belgian capital and that reviews, from the 80s to the present, the work of 33 designers influenced by a cosmopolitan, eclectic, and free-spirited city, reflected in their garments.FOOTAGE OF THE EXHIBITION "BRUSSELS TOUCH", THE MUSEUM OF FASHION AND LINGERIE IN BRUSSELS (BELGIUM).SOUNDBITES OF THE DIRECTOR OF CULTURE, MUSEUMS AND ARCHIVES, DENIS LAURENT.
Brussels (Belgium), 23 Oct (EFE), (Camera: Leo Rodriguez).- The House of European History hosts from this Saturday an exhibition that makes a chronological journey through the Old Continent from the prism of the fakes and imitations, and shows, through more than 200 pieces, the existence of hoaxes from antiquity to the crisis of the Covid-19. The exhibition, called "Fake for Real", starts with a wall of mirrors that reflects a Trojan horse that progressively mutates into a code that represents a Trojan computer virus.FOOTAGE OFART AND STATEMENTS BY ROCÍO DEL CASAR, HEAD MANAGER OF THE COLLECTION IN THE HOUSE OF EUROPEAN HISTORY.TRANSLATIONS: "This is an exposition on fakes from a historical point of view.It is also very relevant for us that our audience can acquire the mechanisms and guidelines to discover what is the truth behind each ad.Well, we have exhibited around 235/240 pieces of which many are part of our own collection and the rest we have brought from museums and institutions from throughout Europe."
Mons (Belgium), Oct 9 (EFE) .- (Camera: Leo Rodriguez) The works from Colombian artist Fernando Botero are exhibited for the first time in Belgium, at the Museum of Fine Arts of Mons (BAM), where paintings and sculptures collected from collections around the world bring Belgian audiences closer to their characteristic style of voluminous figures in the exhibition “Fernando Botero, beyond forms”.FOOTAGE OF BOTERO'S EXHIBITION IN MONS, BELGIUMSOUNDBITES FROM CURATOR CECILIA BRASCHITRANSLATION1. The works allow us to understand the artist's journey towards his style so articulate that we all know of exalted volumes and monumental forms.2. A painting from the Guggenheim in NY or the emblematic one form Berkley university, represents torture in prisons of Abu Ghraib in 2005, a series little known in Europe but very emblematic, it speaks of his political commitment towards the society of his time, they are important loans because they show aspects of his work and we need to have them all to offer a complex vision of his work.3. I would have liked him to come but it is not possible, he helped us a lot.4. His work is style more than content, his work speaks of exaltation of forms, behind forms there is very contemporary content and he speaks to all of us
Brussels (Belgium), Oct 8 (EFE) .- (Camera: Leo Rodríguez) Touring the more than six decades of artistic production of the British painter and photographer David Hockney is the invitation of an exhibition that opens this Friday in Brussels to show the vital and professional career of one of the last great figures with life of Pop Art.FROM HOCKNEY'S EXHIBITION IN BRUSSELSSOUNDBITES FROM CURATOR HELEN LITTLE1. "Hockney is well known for changing the style and direction of his work over time. And one of the wonderful things that this exhibition offers is the opportunity to see again some of these characteristic moments of his career, decade by decade, where you can see the many twists that his work takes. This will take us from some of his early paintings, which combine an abstract language with a kind of emerging representations of bodies and a figuration, because he always felt that it was very important for him to make an art that was not abstract, but had a distinctly human aspect. Visitors will be able to see the incredible work he made in Los Angeles in the sixties. And Hockney, of course, is synonymous with Los Angeles and California and its famous paintings of pools and sprinklers and modernist houses and their fascination with representing water and highly reflective surfaces."2. "He rediscovered Picasso and felt strongly Picasso's ideas around Cubism and the way Cubist paintings force the eye and brain to look at images in the same way we do in reality, which is that we don't see the world through a single perspective. We see that we look at a face or a scene and that our eye and brain are constantly moving around it. And he makes an incredible set of prints, really very colorful, beautiful prints that give us the impression that we're moving in and around the work." 3. "Having investigated these ideas around Cubism, Hockney begins to think more seriously about the relationship that art has with photography. And he believes, and still believes very, very passionately that we as human beings don't see the world as a camera sees it. We are not locked in this moment frozen in time. And so, when he starts painting the landscape again, he's very committed to painting out on the plane with an enormous amount of feeling and expression." 4. "He was one of the first painters to use analogy to create art. Hockney has become synonymous with iPhone and iPad technology, which he's using to fantastic effect right now. And as you will see in the exhibition here. But its relationship with new technologies didn't just emerge with the launch of Apple's iPhone. His commitment to new technologies goes back decades before and I guess in the 80s he was one of the first artists to start using drawing technology in the first computers. He was fascinated and was invited to create images using that technology."5. "All these things come together in the final work of the first half of the exhibition, which is an extraordinary seven-meter-long panorama, which is a photograph of Hockney standing in his studio in the hills of Hollywood, California, surrounded by old and new paintings scattered around the studio. And when visitors come across this work, they think it's a fairly conventional-looking photograph. But, in reality, it has been built from more than 3,000 individual digital photographs that have come together to form an incredible composite image in which things are really in many different perspectives. And I think it's an extraordinary statement from the artist to say, 'This is me, this is my studio, this is where I work, and this is where I make my own rules for my art.'"
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